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"That is a pretty verse," she says, quietly. "But I do not know the poem. I should like to read it." It is a very curious and obsolete, if singularly charming, performance, full of strange bows, and unexpected turnings, and curtseys dignified and deep. "Oh, never mind your young and innocent days: we never heard of them," says Dorothy, impatiently. "Do get on to it.".

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"I do. Just now," looking at her, "I am perhaps as near enjoyment as I can be. But I have not danced before to-night. Nor should I have danced at all had you been engaged. I have forgotten what it is to be light-hearted." Yet pretty Dorothy at her very best moments had never looked, nor ever could look, as lovely as Mona appears now, as she stands with her hands loosely clasped before her, and the divine light of pity in her eyes, that are shining softly like twin stars. Mona obeys, feeling no shrinking from the kindly stout lady who is evidently bent on being "all things" to her. It does occur, perhaps, to her laughter-loving mind that there is a paucity of nose about the duchess, and a rather large amount of "too, too solid flesh;" but she smothers all such iniquitous reflections, and commences to talk with her gayly and naturally. "Am I not?" says he, humbly, putting on his carefully crestfallen air that has generally been found so highly successful. "Tell me my fault.".